SPECTERS OF BELONGING
text by Snehal Tambulwadikar Khedkar
Museums hold together our histories. Fragments of art and culture are brought together, acquired or donated and contextualised in this tertiary space. The architecture and context are conjectural to individual objects and even more alien when grouped together. The existence of their original spatiality lurks around like a subtle memory, which Sumakshi weaves together in her works. Sumakshi sees these lost spaces in her mind, and gathers their traces in her architectural thread drawings.
Indian aesthetics talks about inter-connectivity of all art forms, which culminates in temples of all religions. Sculptures are an integral part of architecture, and have rhythm and balance of dance and continuity and repetition of musical compositions. Sumakshi finding of the subconscious traces of architectural forms in museum sculptures seems natural as these are uprooted from their aesthetical ecosystem. With delicate dexterity Sumakshi weaves the lost environment of these sculptures, placing the columns, doorways with every detail. These works seem like the skeletal fossils of flowers or leaves we preserve in diary pages, long forgotten associations which are beautiful and painful, having eternal existence yet lost in time.
2024:
Vadehra Art Gallery, Delhi
2023:
KNMA (Kiran Nadar Museum of Art), Noida, India
Exhibit 320, Delhi, India
CSMVS museum, Mumbai, India
2022:
Asia Pacific Triennial QAGOMA
2021:
Aicon Contemporary, New York & 1X1 Art Gallery, Dubai
2020:
Kiran Nadar Museum of Art, Delhi
2019:
Sakshi Gallery, Mumbai, India
Hermès, The Chanakya, New Delhi
2019-current:
Architectural Thread Drawings
2018:
Wilfrid Israel Museum, Israel
Belgrade Biennale/ 58th October Salon, Serbia
2017:
Dr. Bhau Daji Lad Mumbai City Museum
India Art Fair/ FOCUS
C24 Gallery, New York, USA
2016:
Exhibit 320, New Delhi, India
Saatchi Gallery, London, UK & Art Houz, Chennai, India
2015-current:
Botanical Thread Drawings & Vitrines